James Schuyler

This beauty that I see
—the sun going down
scours the entangled
and lightly henna
withies and the wind
whips them as it
would ship a cloud—
is passing so swiftly
into night. A moon,
full and flat, and stars
a freight train passing
passing it is the sea
and not a train. This
beauty that collects
dry leaves in pools
and pockets and goes
freezingly, just able
still to swiftly flow
it goes, it goes

James Schuyler - April

The morning sky is clouding up
and what is that tree,
dressed up in white? The fruit
tree, French pear. Sulphur-
yellow bees stud the forsythia
canes leaning down into the transfer
across the park. And trees in
skimpy flower bud suggest
the uses of paint thinner, so
fine the net they cast upon
the wind. Cross-pollination
is the order of the fragrant day.
That was yesterday: today is May,
not April and the magnolias
open their goblets up and
an unseen precipitation
fills them. A gray day in May.

Frank O'Hara - Having a Coke with You

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I'm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o'clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it's in the Frick
which thank heavens you haven't gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn't pick the rider as carefully
as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

Frank O'Hara - Mayakovsky

1

My heart’s aflutter!

I am standing in the bath tub

crying. Mother, mother

who am I? If he

will just come back once

and kiss me on the face

his coarse hair brush

my temple, it’s throbbing!

then I can put on my clothes

I guess, and walk the streets.

2

I love you. I love you,

but I’m turning to my verses

and my heart is closing

like a fist.

Words! be

sick as I am sick, swoon,

roll back your eyes, a pool,

and I’ll stare down

at my wounded beauty

which at best is only a talent

for poetry.

Cannot please, cannot charm or win

what a poet!

and the clear water is thick

with bloody blows on its head.

I embrace a cloud,

but when I soared

it rained.

3

That’s funny! there’s blood on my chest

oh yes, I’ve been carrying bricks

what a funny place to rupture!

and now it is raining on the ailanthus

as I step out onto the window ledge

the tracks below me are smoky and

glistening with a passion for running

I leap into the leaves, green like the sea

4

Now I am quietly waiting for

the catastrophe of my personality

to seem beautiful again,

and interesting, and modern.

The country is grey and

brown and white in trees,

snows and skies of laughter

always diminishing, less funny

not just darker, not just grey.

It may be the coldest day of

the year, what does he think of

that? I mean, what do I? And if I do,

perhaps I am myself again.